If there's a reason to cheer for, it's that the limited but now loveable rapper lifted himself out of a dead-end group (the -like ), dropped his awful name (who wants to say they're the world's biggest Tity Boy fan?), and reinvented himself as a welcome character somewhere between the syrup-sipping Pluto and the slang-slinging Pootie Tang, all while rocking True Religion everything (and if the clothing company didn't pay for all this album's product placement, they should send a box of swag immediately). This devil-may-care style that's right in line with the flash-flavoring landscape of 2012, was refined over mixtapes, street releases, and guest spots, all of it smart preparation for this official debut.

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Is a fine payoff, coming off as trendy as those jeans keeps repping, but still quirky enough to stick to the ribs. Prime example is the opening 'Yuck!,' a high-powered production with getting in the distasteful spirit of the album (warning: he's searching through his black book for a girlfriend who's not experiencing 'the monthlies') while places his second favorite product when Similac gets another mention, once again thanks to the rapper's skill at baby making. 'Birthday Song' borrows 's love of dumb bluntness for the great 'She got a big booty, so I call her 'Big Booty',' while 'Extremely Blessed' offers both 'Our first date was the Waffle House' and 'If you a chicken head, go and lay some eggs' which producer coats in polished R&B for a track that's quite velvety. In this environment, a stripper track with can't go wrong, and when hooky singles 'No Lie' with and 'Birthday Song' with find their respective superstars coming down to ' big booty level, it's like free drinks and table dances all night long.

Still, there are a couple unexpected highlights, like getting convincingly nasty on 'In Town,' or 'Stop Me Now,' which plays it soulful, smooth, and nostalgic ('All my Planets were Digable'). The claim 'Every line is so dope, you can snort it' is an oversell, but over-promises and almost delivers on his official debut, putting him right in the punch-line rapper's sweet spot.

[A Deluxe Edition of the album featured four bonus tracks.].

• United States album-equivalent units figure for Pretty Girls Like Trap Music as of June 2017. • 'Used 2' did not enter the Billboard Hot 100, but peaked at number 11 on the Bubbling Under Hot 100 Singles chart. • 'Bounce' did not enter the Billboard Hot 100, but peaked at number four on the Bubbling Under Hot 100 Singles chart.

• 'MFN Right' did not enter the US chart, but peaked at number eight on the chart. • 'Big Amount' did not enter the Billboard Hot 100, but peaked at number 18 on the Bubbling Under Hot 100 Singles chart.

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• 'Gang Up' did not enter the Billboard Hot 100, but peaked at number 13 on the chart. • 'Gang Up' did not enter the Hot R&B/Hip-Hop Songs chart, but peaked at number four on the Bubbling Under R&B/Hip-Hop Singles chart. • 'Bigger Than You' did not enter the, but peaked at number eight on the NZ Heatseeker Singles Chart.

• 'Money on the Floor' did not enter the Hot R&B/Hip-Hop Songs chart, but peaked at number one on the Bubbling Under R&B/Hip-Hop Singles chart. • 'Do My Dance' did not enter the Billboard Hot 100, but peaked at number 11 on the Bubbling Under Hot 100 Singles chart. • 'Leggo' did not enter the Billboard Hot 100, but peaked at number 20 on the Bubbling Under Hot 100 Singles chart.

• 'Marble Floors' did not enter the Hot R&B/Hip-Hop Songs chart, but peaked at number one on the Bubbling Under R&B/Hip-Hop Singles chart. • 'Fan' did not enter the Hot R&B/Hip-Hop Songs chart, but peaked at number seven on the Bubbling Under R&B/Hip-Hop Singles chart. • 'Entertainment' did not enter the Hot R&B/Hip-Hop Songs chart, but peaked at number two on the Bubbling Under R&B/Hip-Hop Singles chart. • 'When I Feel Like It' did not enter the Hot R&B/Hip-Hop Songs chart, but peaked at number five on the Bubbling Under R&B/Hip-Hop Singles chart. • 'Only That Real' did not enter the Hot R&B/Hip-Hop Songs chart, but peaked at number six on the Bubbling Under R&B/Hip-Hop Singles chart. • 'Magic City Monday' did not enter the Hot R&B/Hip-Hop Songs chart, but peaked at number two on the Bubbling Under R&B/Hip-Hop Singles chart.

• 'Castro' did not enter the Billboard Hot 100, but peaked at number 16 on the Bubbling Under Hot 100 Singles chart. • 'Castro' did not enter the Hot R&B/Hip-Hop Songs chart, but peaked at number six on the Bubbling Under R&B/Hip-Hop Singles chart. • 'Accelerate' did not enter the Billboard Hot 100, but peaked at number 24 on the Bubbling Under Hot 100 Singles chart. • 'Where U Been?' Did not enter the Hot R&B/Hip-Hop Songs chart, but peaked at number one on the Bubbling Under R&B/Hip-Hop Singles chart. • 'Netflix' did not enter the Hot R&B/Hip-Hop Songs chart, but peaked at number six on the Bubbling Under R&B/Hip-Hop Singles chart.