Copyrighted Material INTRODUCTION ThePoem The Age of A nxietybeginsinfearanddoubt,butthefourprotagonists findsomecomfortinsharingtheirdistress.Ineventhisaccidental andtemporarycommunitytherearisesthepossibility ofwhat Auden once called “local understanding.” Certain anxieties may be overcomenotbythealtering ofgeopoliticalconditionsbutbythecultivation of mutual sympathy—perhaps mutual love, even among those whohoursbeforehadbeenstrangers. The Age of AnxietyisW.H.
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Auden’slastbooklengthpoem,hislongest poem, and almost certainly the leastread of his major works. (“It’sfrightfullylong,”hetoldhisfriendAlanAnsen.)Itwouldbeinterestingtoknowwhatfraction ofthosewhobeginreadingitpersist totheend. Thepoemisstrangeandoblique;itpursuesinahighly concentratedformmany of Auden’slongtermfascinations.Itsmeter imitatesmedievalalliterativeverse,which Audenhadbeendrawnto as an undergraduate when he attended J.R.R. Tolkien’s lectures in AngloSaxonphilology,andwhichclearlyinfluencesthepoems ofhis earlytwenties. The Age of Anxietyislargelyapsychological,orpsychohistorical,poem,andthesewerethecategoriesinwhich Audenpreferredtothinkinhisearlyadulthood(includinghisundergraduate yearsatOxford,whenheenjoyedtherole ofconfidentialamateur analystforhisfriends). Thepoemalsoembraces Auden’sinterestin,amongotherthings, thearchetypaltheories ofCarlGustavJung,Jewishmysticism,English murdermysteries,andthelinguisticandculturaldifferencesbetween EnglandandAmerica.Woventhroughitishisnearlylifelongobsessionwiththepoeticandmythological“greenworld” Audenvariously calls Arcadia or Eden or simply the Good Place. Auden’s previous longpoemhadbeencalled“ TheSeaandtheMirror:ACommentary on Shakespeare’s The Tempest,“ and Shakespeare haunts this poem.